Famous Square Anxus Composer Masashi Sukin says it was his own hell to work on both the Dantrial extension of the final fiction 16 and the final fantasy 14.
Sukin, along with the final fantasy 14 base game, formed a score with Nobo Amatosu, Rio Yamazaki, Soshi Seeko, and Noshi Mizota, but for the final fiction 16, it played a lead composer. At the same time, he was working hard on the score of Dantriel, and with an interview with PcgamesnHe said he would never “never” work on two square anxiety games at the same time. It seems that the real problem is that the Action-RPG Final Fantasy 16, with its dark and moody setting, is very different in music compared to the bright and colorful MMO final fantasy 14.
“I can’t really come with a special example, mainly because of the total amount of work, but in terms of the spirit that went into the creation of 14 and 16, I would say that it was very different.” “Actually, I expected it would not be different, but I felt that it was really different. If I had put it in very little words, I would say that there is a different type of 14 and 16 stories are needed.”
As a person with ambiguous creative work, I have certainly passed the moments where I am working on two different things at the same time, and it may be a bit wandering, but it seems as if the pain of the Sokin is very deep.
He said, “Every day was a really terrible hell-really beyond your concept of hell,” he said, adding that he was able to remove this seemingly difficult achievement because he had already experienced “working on two major sports” when he was actually, now a fantasy, a scorpion, and a fantasy.
Waiting, the Socan is dead that he will never put himself in this position again, saying that he will reject the Square Anxus if he ever asked to score the final fantasy when he was still working on the final fiction 14. “I will just say, ‘No, I don’t want’ … If I had two bodies, I would do both.”
Listen, square? Don’t even ask.
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