Speaking To Narrative Lead Jennifer Svedberg-Yen

In weeks after its release last month, Sandfall Interactive’s Clare tools: Campaign 33 won widely critical and commercial praise. JRPG has been praised for the turn -based war formula, its amazing world building, and the most love of its story.

Relevant

Some really commit to changing cleared tool

For those who are degreeulolo after that.

When the dust slowly begins to decide whether the whirlpool has been launched, I sat down with the Lead Jennifer Sudberg Yin to talk about the start of Claire Ozer, They How was the important moment in Act 1, and how closely Hollywood actors Charlie Cox and Andy Sarkis were to work so closely.

Even here you imagine a Clare tools: How do you imagine a thing like Campaign 33?

If you have already played the game, you will find out Claire Ozer: Campaign 33 goes to some Wild Places this is a story that now feels unlike anything in the video games. This equal part is comedy, heartbreaking and heartbreaking. But once, it was quite different.

“Gallom Broch (Game Director) and I really started working on a different game concept before, and so we met. He was looking for voice actors for the script he was working on, but then joined, we started talking, and he invited me to help.”

“The game was very different. The gameplay was the same, but the story was quite different. It was arranged in Zombie, foreign and different things in a stamp, Victorian England.”

Swedberg Yen says that after six months of work on this replacement version of Claire Ozer, things changed. “We talked to some potential investors who said, ‘You know, you can think big, don’t keep yourself behind because you are worried about funding. What will you write if you want to do?’ So, Gallom called me, and that’s exactly, ‘Well, the reboot we are starting from the beginning.’

Although the names of some gameplay ideas and festivals, Verso, and the loan remained, the new vision for Claire Ozar: Campaign 33 was created with a painting that liked the brooch and a short story was working on Swedberg Yen. The story revolves around an artist who enters his own canvas.

Although they were ready to discover ideas and themes, fuel for clearance tools came from an unexpected source for the narrative events .. “At the same time, Galloma’s mother really helped us,” she says. “He asked him, ‘What could be the worst thing with you?’ And he said, ‘to lose you’ or to lose any of your children.

Sudberg Yen has described writing for a large -scale play to play for a real -life RPG. “During the writing process, you are actually playing a role as every character, imagine how they will react in certain situations and then come up with a sketch that becomes detailed divers of the Lore Building and Character Building.

The start of the biggest moment of Act 1

Argument, Claire Ozor’s most important point: Campaign is the first ten hours of Gustava’s death. Until then, for all intentions and purposes, it was the main character, and it seemed that it was going to happen, unless it happened.

The moment, which was written in the context of the game, was already planned by Sudberg Yen and Broch. She says, “We knew from the beginning.” In general, with many points of these plots, what does it mean in the story and what does it mean in terms of the evolution of the characters? It is about thinking about what will further push the characters in their emotional journey and what will really mean in the broader topic of what we are trying to achieve. “

This is all part of the Swederburg Yin’s written style. “This is my pet when people write things and they do not know where they are going with it, and then they try to find it as soon as they go. It’s like a TV show alias or lost. I need answers to questions.”

After the death of Gostao, the campaign is one of many opposing forces, but from the beginning, the game was not kept in mind. Instead, they were left open for bad interpretations, the audience decided for themselves who the real enemy was.

“Gallom and I have a philosophy about telling the story that we do not want to cut and dry, it is wrong, it is wrong,” says Swedberg Yin, it is wrong, it is wrong, it should be done to you. “

“We raise questions, and we want the player to engage with these questions, and we want the player to be part of this decision -making. Everything really needs a player, player’s own life experiences, and the characters that need to work with the journey.

“In terms of opponent, this is also something that depends on this player’s point of view and how you think about the world and you have a significant importance. Another philosophical point on which Gallom and I initially decided was that it is not about good vs evil.

The story to live with the stars tied to the cast

As a new studio’s first game, which is developed by a relatively SMall small team compared to the other triple-A titles, Sandfall Interactive and Publisher Caplar Interactive managed to secure a combined cast. Swedberg Yen believes he has really presented the story of Claire Ozar to the next level.

He joking, “I like to get all the definitions about the story,” but I have to support the motion capture artists, sound actors, music, cinematic team. This is really a team attempt to bring the story of the story where it is right.

Swedberg Yin, who wrote his script Hollywood style, said it was full of brutal and sub -texts, which makes it the cast felt with nails. She says, “The way they all delivered to each line, really captured the essence of the characters.” “Everyone expects Jane (Jennifer English) and Ben (Ben Star), I mean, they are terrific, and it was still their best work, but the rest of the cast, Christie Rider is the balanced weakness and intensity of the rich cable, Shala Nix, they are all terrific.

“We also scream at our French cast.

Although the English and the star are now domestic names in the landscape, the pair is not proud of the resume of Andy Sarkis and Charlie Cox, they have played the role of Renoire and Gostau in Claire Ozkar.

“I had such fear when I found out that we were working with Andy and Charlie because I was also a vice producer, so going through this process, I was thinking, ‘Is these words worthy of Andy Sarkis? Would it be like what you call me?’ So yes, I was a panic.

“Finally, it was great, it was a very realistic feeling. Listening to these amazing actors revives the lines, and thus, ‘These are the words I wrote’. I was cold.”

The future of cleared tools

Although the elimination of clear tools: Campaign 33 is quite cut and dry in its delivery, although it is open for interpretation, it has endless possibilities for expansion in the world. Sandfall can look for previous campaigns, the main roster of artists, other artists around the world, and mysterious, rare and rare authors. For now, though, this is not the team’s attention.

“We are really focused on breaking the bug.” We were not expecting such a strong welcome, and we want to continue this pace, so we are now focusing more on the user’s experience, “says Swederg Yin, so we are focusing too much on the user’s experience right now.” It will not be late. “

Despite any concrete plans, I asked Soodburg Yen to still want to look for areas. “It’s difficult to identify because I want to find them all,” she tells me. “I like the construction of the world. I could do this all day. I could get into the adventures of the past, the future, the sideways, the skeys and the Francois, it can be in different directions.”

Obviously, there is a lot here that the clearing tools team still wants to touch, and based on sodberg yen, things should be very easy.

She tells me, “We have a complete, detailed history of lumier, for all campaigns, social fluctuations, soft uprising.” We use it as a material to feed it in various elements so that the world can feel alive and the characters can feel that they have a real past. Gustau’s, I wrote four generations of family history for him and how it is related to the fact that his family is one of the founding families of Lumier. So to me, there are so many things we have already done, but there are still many answers.

Claire Ozer: Campaign 33

Raded

April 24, 2025

Esrb

Adult 17+ // Blood and Gore, Strong Language, Suggested Topics, Violence

Manufacturer (tongues)

Sandfall interactive

Publisher (tongues)

Kepler Interactive

Engine

Unrealized engine 5

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