The second season of HBO’s The last of us There was always a tough sale than ever. The last part of us 2 He was widely praised how he used his dutiergunist format to tell his story, forced us to play as both Eli and his aggressive Abbey so that we made contact with both characters and saw them in a wide range of players.
But, of course, HBO is making a TV show, and different mediums call for different ways. The show needs a reorganization of sequel story, both out of the need and improve the source content. It removed the scenes and added others, changed the characters, introduced new people, and changed stories and ARCs at a permanent rate. This is a adaptation, not retailing. Things were obliged to change for better or worse.
Springs for the last day of HBO and the last part of the last part 2.
Joel’s death should have been even more surprising
Unfortunately, the manner in which it has been handled seems to be the worst, because it has incited the death of Joel – the incident of great provocation of Season Two. The way the game plays, we meet Abbie for the first time when she wakes up at the temporary checkpoint to watch Jackson. We do not know who he is or where he is as long as the oven takes it to ignore it and they see a city from afar and tempting someone.
It is unclear when she is pursuing her unless we play as it played and she was saved from a group affected by Joel and Tommy. We do not know anything about it, even when she is devastating to Joel. This is why this important moment makes it amazing and emotionally disastrous, and this is the thing that resonates the rest of the journey – this violent function is enhanced and it is discovered over time because we get more information about Abe and Joel has hurt him.
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The show is very different to the incident. We have been following Abe from the first event, and it is quite clear who is chasing and what she wants to do with it. As the TV tortures Abbey Joel, what she does to her about what she and she and the audience give a clear understanding of the fact that she justifies her works. All the mysteries have been expelled from the incident, why they are angry around all the questions, why they are responding to such vicious violence. The game was unconscious.
Do not make a mistake, it has not prevented the audience from being severely affected by Joel’s death. Throughout the Internet, people who have been somehow unruly for the past five years, are losing their minds on a serious scene and is very angry with Abbey Anderson. However, he only bowed his head on television.
But I think people should actually be angry in Abbey Anderson. The reason for Joel’s death in the game was because it was completely unexpected. The players did not know that they were in danger, and no one expected that they would die in such a very violent way. Players indicated Hate is Abe, to see him as a villain, and then forced him to sympathize with him when we saw the rest of his story opening.
Efforts to make Abbie sympathetic made the show even worse
There are a lot of things happening around how the show should be specially reorganized because it is not a video game that can force us to make an opponent’s shoes. It is repeatedly said that the audience is merely Can’t Make sympathy with Abbey because we are watching it, not playing like it.
But I don’t think there is water in this argument. We control neither Eli nor Abbey. We see them through the same lens. This is not a game where we have to keep them safe and make sure they survive, we are watching it without control. If we can sometimes sympathize with border line sunflower with Eli, why can’t we learn sympathy with Abbie over time?
I have defended the right to adopt HBO’s right instead of a revenue before, but in this case, I think the clear efforts of the show before Joel’s death are weakened. We see Abbi in the first episode outside the hospital promising to take revenge from Joel. It has a monopoly that she performs before she kills. Here is the scene where the young man goes through the halls of the hospital, and the old Abbey told him not to go in – it was a particularly hard time, knowing what she was watching.
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All of this works to see us as a human being who has been oppressed, but it does not work for us so that he does not hate his work. We have seen Joel and Eli for the whole season, and Abbey for the same event. It was really all of Brad Karma that Joel was in danger, so his death did not come like a trauma to TV audiences.
As a Schwaroner Craig Mazin Said from a variety of“If people know that it is coming, they will start to feel the punishment. And those who do not know that they are coming are going to find out that it is coming, because people are not talking about this fact yet. Our instincts were to ensure that when we did this, we felt anything like this.
Perhaps the Shoaner was trying to eliminate the allegations of playing Joel’s death for the trauma. Perhaps the TV medium felt that it was important. The fact may be that the story will be heard in two season affected the decision. But by eliminating the tragedy from Joel’s death, he reduced it and compromised with the excellent statement of Part 2.
We can have a red wedding moment, a tragic moment of television where there was no warning. Instead, we have a less effective story.
