A film that makes the documentary work in controversial new media organizations may seem a bit older – the deputy news was launched in 2013. But a quick look at its YouTube channel shows that the videos are still uploaded regularly and hundreds of thousands (if not millions) are found. That particular brand of journalism is still ready for Pardi, then, even if it is no longer getting so much attention outside his own bubble.
In the magic form of Amalia Alman, the media company is trying to maintain a creative lab, maintaining compatibility. Presented by Edina (Chloe Sagiini), developed by Edna’s sarcastic husband Dave (Blanc twice Simon Rex) and the disqualified Jeff (Alex Wolf of the hereditary), and more than that, Elena (writer Alman) and Justin (Apolonio) about Apolonio.
Their next article is Super Carlletos, a musician dressed as a large rabbit and is based in San Cristobal. This is only once when they touched Argentina’s San Crystobel, the staff realized that there are several cities in Latin America with the same name, and Jeff has made them wrong.
Cheeks in the tongue
Super Carlletos (or unable to detect Marita, Jeff actually contacted when he was planning a doctor), the group stood up to think about a new pitch – and the Zeni subcultural in the rural town of Argentina fell. Even with a new project is not their biggest problem, either: Elena is hiding pregnancy from everyone, but her best Paul Justin, and Dave will have to return to the United States to deal with a disclosure scandal of sexual abuse. And before that Jeff and Justin felt themselves engaging with temporary romantic confusion with a local woman and their hotel reception.
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Elena is the only Spanish speaker in the middle of her and, like Alman, she was born in Argentina but was raised in Spain. She feels obliged to explain her tone to the locals, and occupies an uncertain middle land that she is trying to arrest between her New York colleagues and the articles. Elena says on one occasion, “I just don’t want to exploit anyone because they are weird.” “Well, you chose the wrong thing,” Jeff replied.
The magic form is not a straightforward story of exploitation, though – a movie that eliminates this path falls into the trap of people she was trying to humiliate. Instead, the people of Argentina’s San Crystobal, keep their American visitors on their fingers, and make sure they never live too comfortably. None of this is malicious, though in view of the cheeky language in the language of the film, the attitude of the locals is always a rotation and play.
The big picture
The realism and strange nature of this situation is used in the color classification of the film’s high conflict and the use of wiki camera angles, which include keeping the audience inside the refrigerator and adding to the back of a dog walking around the village. The creative labs staff are trying their best to prepare something out of the wall, but if they have any self -awareness, they will see that their own presence in San Cristobal is providing the same entertainment they are looking for.
Jeff, Adina, and participants are so wrapped in their lives and their failure to deal with their problems, though, they are neglected by the big picture around them. A denial – or perhaps incompetence – looks outside means that they lose the original story that appears with the development of the film: suffering from harmful herbs, spraying on local crops by anonymous planes, which is causing them to be healthy in the society.
In an interview, Alman said, “The last feeling of the film is so much that we all are messed up, we are all together, and we have to talk.” Wogg. “We can’t really do anything while going into the dirt.”
The magic farm is now out in cinemas. See more information about what you want to see, our big screen spotlight series.
