On Tuesday morning, the Lines Gate announced that one of the three new projects in the universe would be a dynamic precise movie about the night in which the master killer was initially released on the high table. Intended for “more mature audience”, directed by the film Shannon Tandel (Ultraman: growing) And written by Vanessa Taylor (Game of throwns, water shape) Keno will return to the Voice Voice. (Other plans teased: John Week 5 And a canon spin off by directing and acting of Doni Yin).
The official announcement of John Wake’s dynamic practical film should not be surprising. The franchise Autur Chad Stahsky (who is producing a Professional) is a fan of a longtime mobile phone who has made no secret of medium influence on his work (“I hope people can see the least. John Week: Chapter 4 And go, go, Oh, he has received the effect of heavy, heavy mobile phones“He told Polygon), and has been Quitting about this project for months. He has recently softened his action design chips in this field, Working on a sequence For Ninja Kamoi And are serving as the action designer of the new series of Shenchari Watanab Also. Stelusky, fellow 87 Eleven Action Designer Jeremy Marineas, and his team filmed direct action series in their studio and sent them to the team of Vatanab in a permanent cooperation process, which spread almost a year.
Steelsky grew up as a widespread fan of Watnab’s work, and told Polygon that he “literally memorized everything. Cowboy beepop And Samara Champallow. So when Watnab and his team came to see if Steilesky could recommend advice to a member of his team. Also‘Action Design, Stelusky jumped on the occasion and fulfilled a lifetime dream.
Polygon spoke with Stelusky, and met his script -covered office on 87 eleven action design (this person is associated with about 2 million upcoming projects, including enough video game adaptation), about his love for her experience and her love for Anim. The second part of our interview will be published later, focusing on how to cooperate with the affidavit. Also‘Run.
Multi -court: your experiences did Also And Ninja Kamoi Change anything about your idea about changing dynamic projects directly into action?
Chad Stelusky: I know your feelings, but I will not use the word “changing”. We are not changing anything. We are a component. Changing happens when we lock something and they are just going to translate it. This cannot be ahead of the process. Remember, it is not just building a house. You are building a house in a different dimension where gravity and rules do not mean the same thing.
I am jealous If I was as good as the third, as the eighth, as much as Watanab San, my fucking head would come out of the head … If I could take it down, I would never leave this room. I used to draw all day. I have to go out and choose people and get it. So I permanently describe people’s abilities, cameramen, angles, time, money capabilities. If I can only attract a piece of paper, it has no limit. I can be always attracted to myself. I think I am very open -minded, and I think I’m quite creative and all these things, but you ask a creative in the film industry what they are most afraid of? I think the first answer will always be an empty piece of paper. Now it looks funny. If I snatched all the references for you and you have to make your thing, a new real idea, an empty piece of paper, which you should frighten the mess.
Photo: Maya/adult swimming
That’s what they do. What is in his head is nothing but his head. I go to place. People say, Oh, John Wake is beautiful. I went to Paris Fucking Paris. I could wander myself, open my eyes, and find me a good fucking space to shoot. Yes, I’m preparing it, I’m shining it, don’t think me wrong. I am doing a great job in washing the car, but I didn’t invent the car. I chose. So if anything, I am a talented choice, but I didn’t come with a creative vision. I’m working This boy, dynamic, is not literally on this piece of paper. And then they have to attract him. Even if they were copying the real world like the Eiffel Tower, they would have to draw it in such a way that they fits the best.
People say, Oh, John Wake is beautiful. I went to Paris Fucking Paris. I could wander myself, open my eyes, and find me a good fucking space to shoot
They have a chance. They take movements. We say that our choreography is in the Eiffel Tower, okay? This is something we have given them, but now they have to literally to the star track transport and have to interact with it and take any direction they can take. Our boys are not always perfect. But (dynamic) can make perfect cartoons. They can make the perfect kick. They can move the camera wherever they want. They can see the bones breaking, they can see the teeth in the same shot. They do not need to be edited. They do not need to zoom digital. They do not need to sew. They have a whole ‘noter dimension that we do not have. So if anything, we are just one component in the cake. They still found on fucking baking. We are not equal, I’m just giving them good things.
Like you based on detail, it should be a dream to control this level on each frame and pixel.
Everyone is wondering why the directors always want to go to mobile phones. I bring a great cast, and all the cast has to talk in a mic. I can follow it, and then I can force my dynamic people to make it impossible.
Are you going to try and work more about the future?
Yes, we would like. Once again, I wish I would have been a man of solidarity, but this is something I have to make it easier. And I’m going with what I know right now, and I think I am decent to take and make real -world goods, so another couple of them. But at the same time, yes, this and what we are currently doing with John Wake are the things we want to enter into this world.
Are you interested in taking drawing lessons or something like that?
Oh, I suck, it’s never going to happen. You can know yourself, okay?
Did you and Jeremy’s experience was a designing action Ninja Kamoi Help?
We were already doing a group Also As we helped Ninja KamoiAnd it was just for one order. But (second) the great director (Sanghu Park) who knew what he wanted. I bring many different choreographers. I do every movie, I want this different taste, different flavors. He had an excellent team that was really doing well. They just wanted to see what we would do and how we interpreted the language that they had already established. And you have come with this great harmony. One of my favorite tasks is to mix it with other teams, because you always get something, I won’t say good or worse, but you always find something fresh, which is great. And I think I wish more and more people do this, but unfortunately, stunt teams don’t really work like this.
What did you think about making? Also‘Does the process feel like anime?
Me and Jeremy, we are fans of many mobile phones, so we get it. (In real life) I can pick you up and throw you for 2 or 3 feet. Just I can kick you and you might knock 2 meters back, but it’s not a mobile phone. In a mobile phone, you can go back to a mail. The movement like ours does not work as the mobile phone moves, so our emotions have to be big and hard. There is more order. You can run on a mobile phone with things we can’t practically do. So you can’t allow yourself to become a roof. We know that anime can lead it to an infinite nature. We just have to know where such a creative peak should be for the concept of imagination than reality. How do we grow it late or horizontally? And it depends on the directors. So we try to go bigger. We use wires. We will do things that make the dynamors feel things, and then they have to dial in to fit the anemia so that it feels great. This is a permanent process between us and the dynamics.
Photo: Maya/adult swimming
Do you have any limits in animation when designing action?
Just process and time. At any time, it doesn’t matter what medium or platform we are in, always is scheduled and budget. As far as creativity is, if you are asking this, no, these are the people. See, it always begins with the story, the character and the fact that you are living. If you are doing Borne’s identification Like a movie, your purpose is to persuade the audience that this is a fact. This is your limit: How do you suspend disbelief, and what do you expect from your reality? Now, if you are telling me that it’s not a worry for you, it depends on the director or the creative team, What are my parameters? It’s not that we cannot bend. This is not a difficult line. Well, so you can’t hang on the drone, so we’ll pull it there. We can’t really escape such a fall, but we will take it. You can’t really dodge the pills, but we will take it. As long as you help explain your rules, there are as much limits or some limits as you choose to order.
Turning to it, were there any things you wanted to try directly, but were not safe or possible, with which you had to play here?
You can do a lot. This is the thing with mobile phones. See the initial event. You want me to walk on a monorl on drones? Absolutely! Like fucking anime is incredible. If I can avoid it, having a carrier on a mobile phone as an action design cow would not be a bad flicker. I wish more people asked us to do so. I wonder if we didn’t, I am supposed to be suppressed. I wish more people could call it.
I think you might get more calls after that.
New episodes of Also Adult swimming happened every week at midnight.
