In the 2003 film of Quinton Trantino Bill Bill: Skin 1The killer bride of revenge (Umma Thorman) sought the sword of the Hutory Hunz (Sony Cheba) from the legendary sword. “I need Japanese steel,” she says. “I have bugs to kill.” Hunz has sworn to make death devices, but when he learns that Verman is his former student Bill (David Cardin), he is willing to make it a new sword. This is his best job. The bride accepts a beautiful weapon in a firm event, and she is following her murderous path. This is the best scenes of a cool movie.
Twenty years later, another female murderer acquired his own version of the Japanese sword’s story, in the Netflix dynamic series of Amber Nozumi and Michael Green. Blue Eye Samurai. The Mizo (Maya Aeriscoin) is a half -white, half -Japanese fighter in the Ado era, who is bitterly filled with his rejection by Japanese society, and has emerged as a man, and four devilish white men demand revenge against men, none of them. In Flashback, we learn how he was taken through a blind sword in childhood (Kerry Herovici Tagova), which he calls the father of the sword. He learned Smithing from him, and fighting his consumers with a sword. She makes the sword using a metal from a metor, and goes on her murderous struggle.
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In its first episode, Blue Eye Samurai A bold, direct tribute to Kill the bill. Tomviso Hoti’s “war without war or humanity” has been sounded by a misso training Montement, which is a guitar device that had a famous injection drop in Tranteino’s film, and it almost became a CL -clicking short hand for determined preparation and preparation of snow cooling. It seems both clear and dangerous to refer it in such a story. If Blue Eye Samurai Don’t measure?
But perhaps this is the wrong direction of sincere tribute and gentleness by the newcomer and Green. Because Blue Eye SamuraiSword Crafting Arc is much deeper than that Kill the billVersion, and a lot in the minds of the creators.
The heartbeat of a sword is a clear, legendary appeal. This is a comfortable stay on the hero’s journey that allows them to reflect and accumulate strength. The manufacture of the weapon is a mirror of the hero’s use. It is also an original story of a weapon that affects both the struggle with the resonance of this and the hero. (In case of Kill the billThe bride’s sword is a matter of regret over the countless lives of Huturi Hunz, who takes his swords, and with the quest for the bride to kill the deadly bill.) Above all, it emphasizes what makes the weapon special. It is a power fantasy. As Huturi Hunz told the bride: “If you should face God on your journey, God will be cut off.” Cool.
At first, it seems like Blue Eye Samurai Going in the same direction Kill the billParticularly consider the legendary dimension of the sword. But the sword masters and students made in the topics of the new and green identification and trauma shows deepen and complicated the dynamic. Master Aeji has taught Mizo how to defeat the impurity of the metal – but he tells her that it doesn’t take too far. He told the girl, “There is a standard of uncleanness in the right place,” which is considered to be impurity in both ethnic identity and gender.
But alka metal defeats it. “No one can defeat this curse metal,” says Ejji. But at the end of the first episode, when she leaves her sword to seek revenge, she snatches her new sword on the floor, and her uncontrollable voice does not tell her, even if she looks louder. Not a bar. Blue Eye Samurai The revenge is a story, and it is quite bloody, the violence on Nozumi and Green is intending to do anything other than the Catrosis Transitino that has been attracted.
Mizo’s sword serves him well on his adventures, and both of them left the Loopid of the organs and behind them. But in a climate collision in Episode 6, the Village Abija Folder (Kenneth Branag) fired his Flint Lock on the Mezu, and the shot scattered the sword blade. In Episode 7, a similar scattered Mizo returned Master Aege to refresh his weapon. “Your sword was broken because the mix was wrong,” he says. “It was very pure. The metal wants to mix with new steel.” But, disappointed with the sponsorship of the blood thirst for Mizo, he refused to renovate: “You are out of control. I have no steel for you.” In other words, he is saying effectively, “Your sword is broken because you are.”
Mizo vowed to smell himself in making his sword a kiln, but already fails. She hates anyone who has to face discrimination for a lifetime: “Maybe no devil can make a steel,” she says. Master Aji encourages him to try again, and this is only when it smells metal like its true self.
“A sword of this steel can kill a God,” says Master Ejji. Kill the bill. But the important thing is that Mezzo refused to use it to make a new blade. “You were fine, I don’t deserve the sword, not yet,” she says, without her, to continue her struggle. “You can determine whether I am worth this metal sword made by your hand.”
This level of self -esteem and self -denial does not fit into the usual templates for the Craft Arc. With gentleness and delicacy for the brave dimensions of these stories, Blue Eye Samurai The complex, human relationships of the misso connect with both master ages and itself, which is usually easier to prepare the war series.
The original Alka sword of the Mezu was not respected for its perfection, but it is a flaw. It was a pure device of murder, made in hatred and self -denial, and in the moment of truth, it was broken. Surprisingly, Mezzo has the right to refresh it by realizing that he is not ready yet. Instead, she asks her sword one day her Make, because the sword accepted as a gift of love by a father will be more beautiful and honest than the sword in hate to kill another.
The story of the sword is to tell the story of the crime, in which the sword is not actually made. Maybe we will see it in the second season of the show. But Blue Eye Samurai It has already been shown that this is not just a story of an ordinary power or a revenge, and is an extraordinary depth of the sword in its center. In Season 1 of the show, the Mezu takes the first step towards becoming a person of the sword. There is still a long road for both of them.