The death of a unicornA monster flick in which two angry, hunters a hunter, a hunter, and a mansion, through rich mattresses, one from the classic web of the unicorn, from the delicate, rare, gently magical creatures as far as possible. This is just as far as my little pony clutching horse girl around the unicorn around: spark, rainbow and friendship.
But in practice, the film maintains an emotional and thematic basic, which aims to please almost any long -standing enthusiasm for the legendary beast, and the author, Alex Scarfman, even fits in some psychiatric rains. He sets Unicorn In addition to many of its contemporaries in the circle of gender suburbs – films that slap, say, Regency romance and Zombie Media of Silesh movies and public domain children together. When Polygon spoke to Sakarfman, he made it clear that his purpose had just gone beyond making a strange justification.
“It was really important to me that we didn’t do a blatant film. Ha “To be a unicorn,” Sharfman told Polygon on a video chat. “It was really important to me that the film felt the truth in terms of their grief, but also in terms of the emotional balance they carry with them.”
I The death of a unicornTwo unicorn parents crowded through a remote mansion, and the father/daughter’s pair of Eliot and Ridley (Paul Road and Gena Origa) mistakenly tried to collide with their car and take revenge. Emotional tripod Elliott and Radley’s relationship and relative Radley meet with monster acouns, as well as the relationship between a unicorn and pure heart (or virgin) madman in the unicorn fiction.
For this setup, Sharaf Man’s dedication – Elite and Radley as a hero, and ruthlessly capitalist leopolds – as a villain – was mastering it for some producers when he was making a picture of the film. “Certainly there were people who were in some places, ‘Oh, why are you dealing with any of these emotional things, or why are you dealing with any of this sarcasm? If they are only four friends on the hunting journey, and they kill a unicorn?’ And I was always like, ‘This is not a unicorn movie, then it is a movie in which there is a Unicorn. About A unicorn. ” ‘
In the chicken and all of this egg, Skorfman says, the idea of a movie about those who mistakenly kills the unicorn, and the horror element came in second.
“I didn’t really know what to do with the story, and then in the middle of telling my friend the story, I just faded.” And then a bunch of unicorn shows more and they all kill! I had never even thought of before, and it was just at the moment to say to my friend saying that I realized, Oh, wow, this is a way to feature creatures.
The gender of the creature feature, As Sharaf Man has notedOften in movies, the capitalist comes with anti -all -text Stranger to Jaw to Jurassic Park. And the theme reached its original unicorn Idea.
“I really think for (making a single unicorn film), you need to make sure – certainly, but the emotional weight that lifts for people, the feeling of their symbols. Yes.
For thousands of years, respecting the “emotional balance” of the idea was not just about accuracy for the Sharf Man, or meets the expectations of the audience: it was about the use of the current and powerful symbol.
“This is funny, because in some of these conversations, people are like that, ‘I didn’t know that a unicorn had nothing to do with a class commentary or a socialist commentary,” “Skrfman said laughing. “And like, okay, Hell yesThey do. They always did. That’s it.
The death of a unicorn This Friday, March 28, is out in cinemas.