There may be a smooth nature to work again and again, and many sports have bent about otherwise sympathetic jobs can be amazed. The supply goes to the opposite direction at all costs and turns a courier job unforgivable and indeed transformed into an explosive, slap adventure. It gives some fun and short sensation, but often at all costs, the over -the -excessive shape, a dragging story, and the unprecedented wages of the game reduces repeated monopoly.
As a story, there is an amazingly exciting opening of delivery at all costs. You play as Winston, a highly skilled engineer who is late, deprived of friends, and anger. He looks at a strange fox, someone is spying in his apartment, and he is hiding something about his past. All this is very mysterious and strange, and the setup immediately draws the story in the hope of exposing you, who is really and what is happening.
This mystery is hanging in the first hour of supply at all costs, in which Winston gets a courier service, a truck driving job in our delivery. Every delivery force, Winston, and expansion, to fight a new type of challenging cargo, such as surprisingly strong balloons, Winston’s truck is extremely pleasant and climbing buildings on a small collision, or a sculpture that contains a carpet with a carpet.
In this first hour, I really liked this Dicotomy at all costs, as Winston was fought against Winston’s current ridiculous stupidity. The dynamic images of the strict and poor map of the characters are as ridiculous as poor writing, but I assured myself that there is a goal of adding an extraordinary element to people around Winston and being more anxious about the surroundings. And the slow drip feed of the details about who Winston is during each delivery seems as if it is reaching more and more revelations.
Ultimately, the supply at all costs, ‘the story does not really provide its mystery with which it opens. You get more information about Winston, and the story eventually takes a wild turning point, but the revelations are not satisfied with the most prize and do not feel in accordance with the establishment of the chapter before. After the first hour, it becomes clear that the extraordinary dynamic images of the story and the strange packing are not in a more strange state, but it is not a result of its purposeless direction.
The gameplay is far greater focus to supply at all costs, and like the story, it ends over time. Almost every cost of every price is completely destructive and Winston’s truck is practically incredible, with which you can paint through street lamps, fences and buildings as if they are not there.
Initially, it is funny fun to plow up half of a town to complete the delivery in record time, blow up your horns and plow through any kind of unconscious citizens who refuse to focus on your warning. There is no result of your actions: If you cause enough disaster to attract the attention of the police, you can negate any heat that you hopped in the dumpster-you don’t even have to break the eyes of the policemen (and if you are caught, it is not too). If Winston dies or loses its delivery, the game quickly responds to you, thanks to generous autos. And it doesn’t matter how disastrous you are, Winston’s truck can either not be stopped or lose-it itself turns upright, can be fixed with the same button press, and when you practically stop in any booth of the phone on the corner of every street, you telephoned.
It is a pleasure to be so incomplete initially, but with all the time it is less because the setup’s novelty ends. There is no encouragement to be disastrous other than desire. You do not earn anything to demolish a building or to plow through a group of citizens. There is no use to complete any kind of delivery, with more casualties, with maximum casualties, or as much as you can collect. The game does not care about any of it. Winston is just an angry man and the supply at all costs allows you to please this imaginary concept by making you so destructive with minimal defects. Of course. The problem is that this game is much more careful about your destruction, that after a while it starts to feel excessive and slow.
The decision of this design means that the game either does not put any meaningful challenge in your way, and if you are not really being punished for doing anything wrong, you have no real opposition to any work and have a shrinking feeling with every successful mission. It makes the game structure feel excessive, waking up to Winston, gets a job to take something from one place to another, and then returns to his residence for sleep for the day and promotes the story-it is meaningless for it or its other characters, meaningless.
To give Winston a task, the formula is at least broken, which is a few times at all costs, which is slightly unconventional from point A to B from point A to B, and this happens when the enjoyment of the game is really different. Some of these missions are funny fun. While the rivals break through buildings to chase trucks, steal their packages, and chase their packages to reach themselves, your rivals are now quite destructive, but a lot of destruction, but a lot of destruction, but a lot of destruction. There are no some of the traditional delivery assignments, such as a mission that forcing you to enjoy a joyous catastrophe to keep you slowly driving in the streets and keeping a group of melons by driving in the streets and getting out of your truck’s flat bed. This is not a challenge. It’s just dim. Such moments could be improved with humor, and the writing tries to be funny, but the jokes of the game regularly fall flat.
Optional assignments and frequently -running cycle of collective games fail to break the tadium. As far as I can tell, there is no secret to supply at all costs-the marks of the sale where the chest, the “secret” car, or the urban needed, is always clear, so it is always clear where you can go if you want to break the story.
Winston’s truck is used to make crafts materials to make upgrade, such as a horn, in a loud sound it can scatter the windows or enforce the doors, which can quickly open a citizen to sprinkle you. As stated earlier, however, destruction is an optional increase, not every mission is an essential component-it does not change much easily. How The game is played, so all upgrades feel unnecessary and unnecessary. The mandatory truck’s mandatory upgrades (which are naturally unlocked as you continue in the story) simplify the aspects of the delivery process, as the crane allows Winston load and inload cargo without getting out of the truck, but they do not affect the game of overall delivery process.
The cars hidden around the map are unable to go. Most of them handle just like Winston’s truck, and you can’t use them for delivery anyway. There is no garage to bring any of them-their sole purpose is to drive in the world and destroy it from a different visible car.
Citizens who ask Winston for help are also easy .This, who have retreated through sports writing. Their side missions themselves offer the least interesting disturbances. Stretching a car that tries to remove itself from the road to the fire of the volcano to destroy itself, appears to be hidden somewhere on the map, and the greedy executives collide with whatever you can do to frighten. But the stories around them do not narrate nor do anything. This is such a shame. The supply at all costs celebrates the aesthetics of the 1950s and has such beautiful and detailed places, but I do not want to spend any extra time in them.
Supply at each price is a solid game for an hour. But then the supply format of the equipment becomes fatigue from point A to point B. Implementation of uncertainty and for the first time to experience a unique setup of every delivery produces short sensation, but just breaking the STUFF equipment does not have a longer and unpredictable story that connects every delivery to the whole experience. Some parts of the delivery at all costs really work. But it also often ruins its entertainment.
