George Taky talked to the natural elite about photography Yakuza: Like the dragon Social themes of Mumma Arakawa and Siga titles shed light as tragic personalities rather than a dimensional stereotypes.
Are going to spoil in this George Taky interview Yakuza: Like the dragon.
Natural elite (Nir Regev): Yakuza: As Dragon was a social development in my opinion, it highlights the destiny of the homeless people of the game like sensitive human beings. The tragic figures that we have become accustomed to the media, rather than a dimensional stereotypes of Wagabonds. Greg Chun’s voice role is a great example of Yu Nanba.
What do you mean to be part of a project that performs such topics without a voice in our society?
George Taky: My mission in life is to disperse stereotypes and Japan has two stereotypes, one positive and one negative. I instead emphasize positive, but there is another show that is now called Tokyo Vice (HBO) It eliminates this image of Japanese society. Japan’s sharp underworld today.

As Greg Chun as Yu Nanba and Kaiji Tang as Achiban Kasoga or Kukua: Like the dragon. Art Credit: Sega / Rio will Gotoco Studio
Stepped concepts are easy to cartoon of one people. What we want is a complete dimension of humanity of different minorities that forms the United States. On Star trackWe have this abbreviation idicUnlimited diversity in infinite combination. And this is the power of America.

Greg Chun as Yakuza in Yu Nanba: Like a dragon. Art Credit: Sega / Rio will Gotoco Studio
We have very diverse people from all over the world, people from different races, different beliefs and different backgrounds are gathering and working in concerts as Americans.
So I prefer this approach to knowing something about another culture.
Natural elite: Yakuza: As the Mummumi Arakawa of Dragon cut off his pink finger in the commerce of young life that he did not know in Achiban Kasuga. All because Achiban used his name to buy time … which shows how strong the concept of ‘saving face’ is in Asian culture.
Can you describe a Western palace in detail why ‘keeping a face’ in Japanese and Asian culture is usually so important?
George Taky: Yes, this is very important. Do not discredit facial savings and other people. Certainly keeping your face is an important part of Japanese culture. He is also a culture.
I think this is true of Korean culture. China is slightly different, it is respected for rating, but not necessarily for humanity. That is why it is an authoritarian society.

George Taki as a Mumma of Arakawa and Kaiji Tang as Achiban Kasuga or Kuwais: Like a dragon. Art Credit: Sega / Rio will Gotoco Studio
Yakuza, too, is a criminal organization, but within this group, the same values are. Senior, leader. You arrive not only through power, but also respecting your age and respect. But at the same time, maintaining your dignity and respecting the old leader’s seniority are values.
It is very internal for Japanese society, whether it is law or law.
Natural elite: Bleach was the whole concept of Japan Yakuza: Like the dragon A type of political theory?
Bleach Japan claims to target the city’s ‘gray zone’ or criminal elements, but practically affects those who want to survive like brothel sex workers and homeless camps.
Some people say that their followers have been removed from the real corruption.
George Taky: That is an element, but they are cruel criminals. I mean, what do they do with people who are having trouble, have problems … they are like mafia and what they do is not only lawless, but also inhuman and their sole purpose is to strengthen themselves.
Yes, some of them have humanity to help poor people or helpless people with great need and help… but their sources are not respected at all. They are despicable people and, and they are completely inhuman in the same consequences they bring.
Natural elite: You have mentioned in the past that you were not a concert. I was wondering if you had seen your work -cut scenes? Yakuza: Like the dragon At least?
George Taky: (Laughing) That’s right, I am still not a concert. So alas, I have not seen cut scenes.

Achiban Kasoga in Yakuza: Kaiji Tang: Like a dragon. Art Credit: Sega / Rio will Gotoco Studio
Natural elite: Mumma Arakawa quietly accused her son of Masato’s disability, which was due to hypothermia being hidden in the locker for a long time due to hypothermia. It is resolved under an experimental transplant in the United States under an experimental transplant, under the new name of Masato, because the Arakawa family is a source.
A fox series that’s name Cleaning woman Recently, when you are not a source, it has been dealt with difficulty in acquiring important organs. Opposition to the spectrum.
I was wondering if you had seen? Of a cleaning woman On the contrary?
George Taky: You know, I haven’t seen that show yet, I’m mostly watching Tokyo Vice (HBO) Once again, with the Yakuza organization, it’s terrible.
Which is to say: Yuzua can be bad, can scare people. To beat people and force them to the place where they commit suicide. They put gasoline on themselves and set themselves on fire.

Kaiji Tang as Achiban Kasuga and Matthew Mercer as Guru Madima Yakuza 7: Like the dragon. Art Credit: Sega / Rio will Gotoco Studio
And it is known that Japan is due to his attitude towards threats or guidance of women in Japan… White women working in Japan’s alcohol underworld…

Achiban Kasoga in Yakuza: Kaiji Tang: Like a dragon. Art Credit: Sega / Rio will Gotoco Studio
Natural elite: Many thanks George! Work in your voice Yakuza: Like the dragon Was great.
George Taky: Thank you very much! I appreciate it.
– See part of our interview with George Taki 1 on which New York City’s first Grand Marshal has been named Japan Parade This week, May 14, 1:00 pm.
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More Yuza: Like dragon coverage

Art Credit in Kasi Tang as Achiban Kasoga Yakuza 7: Sega / Rio Goto Gotoko Studio
– Make sure to read Yakoza: as the Dragon’s homeless story is a social development
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