During a decade after the actual release of the 2014 Player Handbook, and one of the biggest restoration of the Dangens & Dragon and other tabletup roll playing games, the original playpod cast and streams are at a height at all times. Despite the highly saturated market for this type of content, under -stories managed to discover a unique approach to the actual game.
Former students in the critical role are Louis Carzo and Christian Navaro (serving as a gamemaster with Carzo), as well as TTRPG troops Oscar Montoia, Miana Baron, and new forms player Kimla Victoriano, for their stories, for their stories.
The story begins
After sharing the first event with me before the series premiere on April 29, I sat down with cast members Louis Carazo, Christian Navaro, Camla Victoriano, and Lore Capere Jack Cummins, the concept of stories, and sat down with the actual game of all things.
Victoriano told me to pregnant the stories involved with Nauro through Sonoro Media that “big mission is to work with Latino creators in all aspects of creativity.” “I’ve always been a fool, but most of the fantasy is Euro Central. No one really did what Ded did in the place we are doing.”
Victoriano and Navaro met through their other work in Sonoro Media, which produces stories. Victoriano is serving as Sonoro’s Chief Contemporary Officer, and jointly with Narrow, referring to the need for Latin American representation in TTRPG’s original game place, “If you are a Latin player,” she says, “I feel like an elf.”
When brutally brightened with the idea of bringing a real play series to Sonoro, Navaro advised Carazo as a gamemaster and presented his creative colleague Jack Cummins as Alma’s lore keeper and added a large number of his stories.
Creating the campaign
“Just before the lockdown, the Christian and I started playing D&D together,” explaining the comments, who helped to create a world of stories and stories. “My background is in the theater manufacture, so making the work of the artists easier I am very familiar with.”
“It was deliberate to bring Latin American folk tales. We are part of a series of people who tell the story.”
Most of the cast of the theater’s theater and the unmanned stories appear in their colorful and dynamic sets, as well as their role play. It also shines through the theater and artistic background of Karazo’s GM style, which is extremely spiritual and provocative, not only on its cultural roots but also highlights his family’s abilities to tell the story.
“In my family, there is a kind of picture. In which we share stories.” It was deliberate to bring Latin American folk tales. We are part of a series of people who tell. “
This lineage is made in everything within the stories of integration. Karzo brings Palo Santo before each game, which includes his session zero, and describes sports as a form of ritual and spirituality telling the sacred story. The feeling of this ritual is clear in the first event of the series, in which the party prepares for ‘The Gift’, which is an ancient event between the city and the spirit of the river.
Fearless hero
Feeling that the importance and deep love for their cultures is more important than ever, the cast tells me, because of this, often, Latin American actors are still negatively presented in entertainment.
“Clearly, we often represent through negative stereotypes,” says Karzo. “In my career, I have played many bad boys. This is an opportunity to step into one character and become brave. “
Brave, yes, but deep ground and related. Based on the introduction that I have received to see a story that is one of the stories, this cute cast of characters makes sense of charming, easy to identify, and explodes with complexity. Chemistry between the cast is also no small factor.
Victoriano smiled and said, “There is really a cool connection. It feels unique.”
When it comes to the role of Victoriano on the table as a first -time player, Karzo and Navaro are equally impressed. “Great art happens when it is coming from inside,” said Navaro. “For someone who never plays, being able to find (Kimla) for (Kimla) to be able to find (Kimla) immediately. This is an amazing honor.”
“For the first time, the importance of keeping the player who is not an actor,” Karzo told me. “This story means for everyone. There is a seat on the table for everyone.”
Why do we need unintended stories
Only beyond the charming cast of its full and interesting world and characters, the stories that are incompetent present are the only point of view that the actual sports and tabletup roll playing are currently enjoying their all -time peaks.
“Society is generally divided, and the game is coming together, which is undeniable.” “You have to sit in the room together and find a joint ground.”
“There is not much difference between sitting around the campfire, or sitting around the D&D table.”
Karzo added, “What the story of telling this story is incredibly unique.
Generally, there is a remote consensus that the audience’s attention is reduced and that the real game cannot be engaged with the content. Not so, Victoriano explains: “Here are 2-3 hours of podcasts that people will sit and listen to. As long as the content is high quality (…) people will see the times and hours of it.”
Cummins offer an amazing resonance theory about the popularity of Dhangan and dragon and roll playing games. “There is something of the oral tradition (…) there is not much difference between sitting around the campfire, or sitting around the D&D table.”
This sense of oral tradition comes out of this team. Based on their first episode and the vision of telling the story of the creative team, it is clear that there is something special to offer TTRPG’s original place in Telsea Inload. When asked what we can expect from the rest of the series, the cast coly shows that the first event is only a small taste of roller coaster ride that is coming. Between the cast chemistry, the excitement of the creative team, and the unique world created by Carzo, it is clear that we are on a wonderful journey.
On April 29, only audio stories as a video series on Podcast and YouTube are unmanaged premiere.
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