The Last of Us’ season 2 problems were already obvious in season 1

Of Season 2 The last of us It has faced considerable reaction to the swings and polarizing characters of the disciplinary statement. But beyond bad criticism The quir is focused on representation Or Bella Ramsey isn’t watching enough like her game counterpartThere are more deeper, more accurate concerns about how the show permanently eliminated its main characters. A large part of the recent conversation focuses on a decrease in standards from Season 1 to Season 2, with it Viewer rating for the second season.

But these allegations are losing this. The problems that the fans are complaining about suddenly did not appear in Season 2. He was already showing in the opening season of the series.

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Co -Shuorner Craig Mazin is used to anchor his stories around a single statement, even if he is in the HBO series. Chinobel Or (less seriously) his hangover movies. I The last of usThis main incident is the murder of a later -survived Joel (Pedro Pascal). Joel’s death is presented in accordance with the theme during season 1, where characters like Henry (Lamar Johnson) and Marilyn (Merrill Danderje) are forced to sacrifice their loved ones for maximum good before they die.

Their Arc has laid the foundation for a similar structural climate decision of Joel, about whether to sacrifice Eli (Bella Ramsey) in an attempt to find a cordspels in an attempt to find a cure for mental infection. When the Firefelles Group tries to dissolve Eli to investigate its immunity from an infection, Joel Storm has stormed a storm with seconds to shoot doctors in cold blood.

Although his choice is in accordance with sports, the TV adaptation takes the Data path and different paths. This show indicates to spell the Joel dispute with Nile Dickman’s decision Re -insert Scattered content from sports To make the story more simplicity and morally flexible, eventually flattens the ambiguity that made the original The last of us The game is very compelled. Instead of maintaining small moments that expand the relationship between Joel and Eli in the game, Season 1 focuses on expanded back stores and waste side roles that reduce it just to filming Joel’s arc. A version of the story has been left behind that has a more secure, less challenging and much less effective.

HBO’s first season The last of us Pains Joel in more sympathetic light than the game. From Episode 1, Mazin, Dirkman, and his authors enhance Joel’s relationship with his daughter Sara (Nico Parker), and give the audience more time to connect and understand their bonds. The emotional investment he has set up for the audience is designed to difficult to suffer Sarah’s sudden death. But in this, Joel is thinking in his internal struggle to protect the Ela, even less ambiguous and more emotional. Although the additional sequence with Sarah is being affected, they do not contribute too much in the subject of seasonal loss and sacrifice, beyond softening the icon of Joel.

Later, in Season 1, Joel launched panic attacks after the death of a young survivor bean, who suffer from Cordsus infections, and his older brother Henry, who shoots Sam himself. The psychological description of Joel’s trauma is absent from the game. The purpose of his emotional weakness is to parallel to the internal struggle that is encountered when decides that Eli should be saved or to give him pleasure in an attempt to find treatment. But in the game, Joel’s lack of remorse is a matter of fact: he is a man who is in the form of grief that is shaken by another occasion to save his daughter. His story is not shown as an arc. Their decision to save Eli is not driven by a new trauma or is not emotional. This is a brutal, morally complex process that left players To discuss your actions for years.

By laying in this extra context – sorrow, panic, father, sorrow – fans press the audience to sympathize with joyle decisions. Joel is a broken man after his daughter’s death, and he becomes a passion for saving Eli because he could not save Sarah. But the show has reduced the challenging dilemma of the original statement about its choice than Eli. Instead of being anxious to the audience of Joel’s violence, the game procedure – the way he killed dozens of people who are just trying to get treatment.

When Joel chooses his choice, we have been subject to his dilemma. Even the most admirable addition of the season, the extended backdrop of the relationship between Bill and Frank (Nick Resistan and Murray Bartlet) means eventually a mirror of Joel’s final decision on whether to save Elly from selfishness or die for maximum good.

Origin The last of us The game is rich in calm, intimate moments between Joel and Eli, a small beating that slowly and physically produces its bond. However, the show often does in favor of expanding these peripheral characters, such as Eli’s mother Anna (which does not appear in the game), Anna’s friend Marilyn, who promised that he was through Eli (despite her killing at the end of Season 1), and the loss of Kathleen, a actual role, was a real role. Mirror Tese’s revenge storyWhich was finally cut off the original game because the developers did not find it Cross State Wandita against Joel realistic.

These additions are primarily meant to clarify the subject balance with Joel’s decision to save Eli, but its implementation feels heavy, and the dynamic between the main character is no longer at the forefront of the story. The actual scenes of the show’s reorganization or re -writing make the topics of harm and the subject of sacrifice more clearly, and eliminating this ambiguity was made morally complicated. Instead of fighting the audience with the morality of their actions, the show attracted them to sympathy.

Season 2 continues this sample with Eli, and it softened its imagery by dialing its violent trends more clearly in favor of sympathetic reflection. The season is more focused on the effects of parents than Eli’s quest to take revenge against Joel’s killer. It is as if the rocky and dirkman are actively sending the rhurgy, more difficult edges, perhaps trying to avoid the reactions and mistakes. The last part of us 2. But by doing so, they put a risk of reducing the risk, which echoes the story first: refusal to offer easy answers.

Ultimately, the reaction of the reaction The last of us Season 2 is not just about controversial plot points or representation – this is about eliminating the choice of statement that has slowly overcome that the original story has been so powerful. After softening the barbarism of Joel, releasing the rough edges of Eli, and eliminating the topics that once in the moral brown areas, the adaptation is clear and the category of relief to the category. These are not new issues: they were seed in Season 1. Season 2 made them impossible to ignore them.