When the fans panicly voiced HBO’s adaptation from one of their favorite video games, there was a familiar presence that immediately calmed their nerves: Gosta and Santola’s mourning guitar. Since some of the story have changed and the beloved multi -faceted faces were replaced with new actors, beating hearts The last of us -The demolition of it survived the transfer to the score-TV.
“(Series Creator) Neil Dickman has said that my music is part of DNA The last of us“Santola says.” I think the fact is that we have kept the sound fabric – that we did not score an orchestra for the series – even to these fans of the series, these fans have also played a vital role in maintaining these fans. “
Born in Buenos Aires and was raised, Santolola began to release music for the first time when she was 17 years old. The English rock bands and traditional Argentina’s traditional folk music, which they were raised, piled up both of them in their own unique voice, which is part of a genre called Rock Nssonel. Before he could fully identify his identity, Santolla’s family fled the Argentina Jinta dictatorship in 1978, leaving Los Angeles, where her unique voice soon attracted the film’s attention. Bounced to score 2000 film Affairs Peru And of 2003 21 grams, Santolla developed the sound track as a result of their success Brookback Mountain And BabyL, they both won the Oscar.
Santola’s Sonic Secret? Embrace the eloquence of silence. “I work a lot with silence and place, because sometimes silences can be higher than the note that you are playing,” says Santola. “I miss Brookback Mountain When I first sent them to the music, the producer said, ‘I thought you were pulling my leg first, because you wait so much to play the next note!’
“Sometimes silence can be higher than the note you are playing.”
After winning two Oscar, Santola carefully considered the next move of her career. Despite being a self -based “horrible game”, Santola tells me that he always liked to watch his son a game, which supports it because of on -screen dynamics. “I have always thought that if someone connects it with a player to an emotional level, it will be a revolution.”
This shows that the universe had taken up Santolla’s latest interest. After the Oscar, he was contacted by several game companies to do music, but rejected them because “I’m very playful about the work I do.” It also includes a lucrative gaming project that she is cautious to not name. “Everyone thought I’m crazy!” They are checkered. Nevertheless, Santolla quietly hoped that a more emotionally resonant plan would be developed.
“So, I waited … and then Nail appeared,” says Santola. “When Neil told his colleagues that he wanted me to do it, (his colleagues) said, no, Gastavo is not interested – he won two an Oscar! But when Neil (told me) story, and he wants to do a game that connects people to the emotional level… I was sold.
Even the Nile Durkman, which was not ready, however, was that the music of Gustava would become an important presence like Eli and Joel. In a post -apocolipatic world where life is very low and the danger revolves around every corner, silence hangs in the air like a danger. Santolla’s dispute notes, controversial lyrics and screaming freight slides slipped on the streets of dilapidated cities, which is inhabited by the world’s Eli and Joel.
“I like the use of flaws, even mistakes or mistakes.”
“I like to use flaws, even mistakes or mistakes.” Whenever a professional guitar player records, I have to avoid all kinds of noise. When you run your game on a freightboard or a little error. But sometimes, I push them into my mixture, and I think it makes it human. That is why many people have said that my music becomes like a character. That’s why I play things myself. “
In another game, Gustava’s music becomes a physical part of the fiction, Eli picked up the guitar while seeking revenge. She extracts the device during a happy moment of the down time, offering catheter respite. And just like Gestau’s score, this beautiful Wingate also broke the amazing silence, which passes in the second season of the show.
“I like the TV series,” says Santola. “For the show, Neil associated himself with another incredible abilities, Craig Mazin – the boy who did Chinobel – Who knows this media and this language? I think it was a huge, big challenge, because when you go to one media to another, people say no, I like the real better! So, I think, once again, the way we have used music plays an important role in keeping the fan’s foundation connected.
He added, “I think when a story is really good, such as a theater piece – like Shakespeare – it doesn’t matter – it does not matter. Obviously, Pedro Pascal’s joal is different from Joel, but the substance of this character is so powerful that it is a special film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a special film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a particular film, or a special film, or a particular film, or a particular film, or a particular film, or a particular film. As a piece of theater, a type of film, or a palm can be like a piece of theater.
Now that Santola has felt itself by releasing its own device – guitarco – it seems that it has felt like a teenager who started like a teenager. Combining traditional Bolivian 10 string Ronroco with the Finder Stratooster’s form element, Gostao takes pride for his musical creation: What has the 73 -year -old young man reinforced? The last of us He has given it in his career at this stage.
He says, “I have been blessed with the fact that I was very young since I have contacted the audience.” “But the way I contact fans The last of us And the way they connect with music … here is a special devotion that is really beautiful. I have this new audience that is terrific, and I love that they didn’t know me as an artist or a movie composer! Now they look for my music, and they find these things. At this point – to join every such project, this has been a gift for me.