It is difficult to think about the games that the sound track has had a major impact on the entire generation of Tony Hawk’s pro -skater series. Famous music has been a part of the sports for decades. The trip escape 2600 for Attari was a particularly strange example, and FIFA: The use of song 2 by Bilour was known in the Road to World Cup 98. But Tony Hawk was the first to use the series Bunk This was the first time that music, and for the suburbs and many of the country’s children, when they spoke with punk.
The two -minute level structure of the cutting size was as excellent in the heart of the music as skating. Punk – or maybe the hip hop or therapy – charging every run became very attached to skating, even for children who had never touched the board or went to a park.
In the recent THPS Fest in Los Angeles, the new Tony Hawk’s Pro -Scator 3 + 4 remakes and generally celebrating the upcoming release of the sound track, I talked to some people involved in the music of Tony Hawk Games. What was the skating and music legends about their sustainable legacy.
For Hawk itself, all its goals for this game returned to one thing. “I thought it was necessary to represent the skating culture, and in my early days the skating culture was the early punk rock music. Then the Equation music department also wanted to keep it balanced by modern music, so he was leaning towards his new punk, and thinking that he was crazy. “Also, just other sounds that represent skating, like a hip hop. So music was important to me, but I didn’t think it would be something that would be a standstone hit, in the case of people, ‘Oh, we can’t wait to hear about the sound of the game’.”
This is now full of circle
Steve Cabero
These high expectations mean that the pressure track was added to update the sound track for Tony Hawk Pro Scator 3 + 4 – you are doing something that people see in about 25 years of old memories. This time, Hawk was more involved in the sound track of his name. “I think there’s a lot to live with, but I’m proud of all the sound tracks, including this new. This time I had more input, so I hope it will meet expectations.”
Steve Kellero was a Pro -Scator who was portrayed as a sportable role in sports and now, at the age of 60, its latest punk band has a song on 3 + 4 sound tracks. When the original game was coming out, it was in a privileged place to take songs for the sound track, which would also present in the skating video at the end of the game.
“They say,” skateboarding is amazing, “and so when you have a punk song that is playing a part, it really runs well. I just chose the music that I would go with my video section. For number two I asked for Milkolin, and I brought 3 for Australia. The reason for this is that Tony Hawkter 3 + 4 and we are back in the summer.
Loop Fyesco is the artist behind the most famous skateboarding hip hop track at all times: Kick, Push. It was previously added to Tony Hawk’s Dowanal jam, which was discharged from the Pro Scator and underground titles. Now, for the first time, it is being highlighted in an important pro -skater sound track.
“It looks good,” Fasco says. “Licensing companies are going to license. You will be allowed to do so when they want to do it.” “No, Tony is a homemade. When Kick, Push first came out, he was one of the first notes scatters that invited me to the LA to perform on one of the event, so this is a complete circle situation.”
One of the amazing things about these conversations is how all the cultures and musicians of the culture are on the ground. Godfather of Freestyle Skate Boarding, Rodney Mullen, invented a surprising number of tricks, including Kick Philip. According to him, sound track is one of the main reasons why the game is so successful.
People seek their music between the age of 13, between the age of 9 or 10, and at that time many people found it.
Tony Hawk
“He created so sustainable and special thing that it is beyond everything,” says Mullen. “I think all these bands and music were included in Tony, the way it reached the outside culture – even if you did not skate, you praised it. He told the culture of culture. Street art, everything. All of this has done something different and something different.
Indeed, as a significant impact on culture, it is not just itself. To make this effect, the right people have to be found at the right time, and Mullen has said that it was important for all the ingredients to be successful, Tony Hawk’s pro -skater was certainly in the right place at the right time. “Everything is a time of magic, okay? Music, so much was happening in terms of everything.”
Hawk, Hawk, agrees that the time of time was because he had influenced it. “I think he introduced a generation that was about to give an impression. People seek their music between the age of 13 or 10, and at that time many people found it. But they really liked it, it was not as if it was only forced to them, when I was 10, I was and I was 10.”
Although you can never go back and experience things that have changed you for the first time, this golden age and this golden age of remixes mean thousands of years that love this music and culture at the right place and can revise the right time. Extended Tony Hawk Pro Scator 3 + 4 sound track also means that he can now discover new music and new music, while artists like Cabeliro prove that we never have to refrain from finding and making new music.
With everything Y2K is returning to fashion once again, perhaps a whole new generation of children loves punk music through video games.
