Florence Pug stands on the roof of the world’s second highest building. She takes a moment to prepare and play the role, such as the new Thunderbolts* the black widow of the film, Elena Belva, and, is connected to a large-scale Safe Fall rig, she looks at the edge-one of which has become rare and rare in the stunt superhero films, especially when the original star. In another shot, an entire floor of the building exploded behind it when the staff rejoiced on the safe success of the blast, which is a practical effect that other superhero films have done through digital influences.
Fantastic Four: First Step Director Matt Shakman showed epic sets of FF’s Bexter Building Headquarters, which has been told how his approach to making the film depends on the presence of real, physical elements on the seat, and to make the film completely fully based on digital effects. He describes his actions as “the reason” by the legendary Ature Director Stanley Kabrik.
Filmmaker James Gun presented a series of photos behind the curtain of the upcoming Superman Reboot Movie, depicting many locations of the film, its physical sets such as the Daily Planet offices, its impressive superheroes are a symbol of costumes, and even an actor is used to use David Cornesty Witty. Many images have shown other aspects of the background production as a physical Easter egg for eagle -eyed fans.
This is part of the marketing wave of three large, superhero blockbuster films this summer, which Marvel and DC have sold to the public as both to reset and form for this gender, which has suffered from the impression of the so -called “superhero fatigue”.
And the point that they are making is: Big Super Hero Movie Studios still know how to make completely realistic blockbuster films that are filled with action and visually inspired, while also pulling our hearts with authentic characters and stories.
Hugging the spectacle
Will Thunderbolts*, Fantastic Four: First step, and Superman will do good to this promise? We have to wait and see (though Thunderbols* is well -set up the stage with a strong positive response). But the foundation is certainly true.
In an environment where superhero fatigue stories were stalled together, thanks to the spread of granus screen -driven movies that work more and more to add threads to a spreading canvas of plot lines, such as a cool blow, rather than telling their own effective stories.
One of the strongest reasons is that stunt and impact have made action franchises such as John Wake, James Bond, The Fast and the Critical, and Mission: The impossible has succeeded in countering criticism that explains their counterparts in the landscape of the current superhero movie while their own spinning and their own spinning.
Even franchises like The Fast and the Furious, which are primarily superheroes whose powers are really good in the cars. Staying on their filmmaking skills, keeping in good places of the public as it takes its films to high and ridiculous new heights, such as a simple, exterior, to the launch of its heroes.
Marvel and DC’s marketing for their new films is another component of moving forward for another practical filmmaking, which is a balanced process of utilizing all the tools of the large -scale film studio, while the film banners have also been brought with a vision that translates the level of stories.
Marvel’s less popular recent films such as Atrunals and Thor: Love and Thunder struggled to allow their directors to put their sensitivity and voices in their films, while superheroes met the expectations of film fans. We show that there are people who are working behind the screen who understand this balance, and those who reward things like angry fans are a ton of meaning.
Return to the blockbuster cinema
When the “Greens Screen Short” is considered with the joint diet, which includes films like DC the Flash and Marvel’s ants and The Wasp: Quantonia, and fast -out -of -Byzantine internal references, and in such films, it is easy to understand what the films remember as it is easy to understand. Them
These are the features that people liked about the original Avengers story. The characters had a strong humanity and the sound of their films that, even when they were not completely successful, felt new and fresh.
And with the amazing feeling of the universe in front of our eyes, as well as in which we never experienced the film, it all felt like a cultural event, one of the reasons for watching and talking about movies – not just a checklist of new characters and new concepts that could only be entangled with a wider audience.
Once again, the question remains whether the Thunderbolts*, the fantastic, the best four: the first step, and the superman will succeed, leave it whether Marvel and DC will learn the right lessons and follow their possible victory. But for the first time in a long time, I’m really excited about pushing the tradition of superhero movies ‘movie’ side, and blockbuster filmmaking into a new era.
Thunderbolts are now in theaters (read our review here). The Superman releases on July 11, followed by the Fantastic Four: the first step on July 25. In the meantime, all the new superhero films and the latest release for 2025 and beyond have been late on planned shows.
